chasing that feeling
of being in the moment
when the moment is all
made up
a tale of an actor coming out of dissociation
chasing that feeling
of being in the moment
when the moment is all
made up
a tale of an actor coming out of dissociation
yesterday was a
good(?!?)
day
chores accomplished
things done
(ahead of time even)
friends talked to
(friends!
what a concept!)
and i hope
that this energy
positivity
whatever-y
lasts
just a few days longer
because man, i have so many things on my to-do list
that are just waiting for a day
when i feel like i have the mental stamina
to do them.
~~~
toaster strudels
toasted
iced
eaten
bagels
ordered
made
still waiting
for delivery
(to house and to mouth)
do we need two different breakfasts this morning?
absolutely not.
but do we deserve them?
i’d say…
maybe?
~~~
being an actor is so weird
because not only are we
sharing intimate parts of
our selves/emotions/brains/pasts
and saying ‘hey, do you believe this
in a totally different context?’
we are also airing all our dirty laundry
out
for others’ entertainment
and hoping it’s cathartic
to both audience and us
(while still holding a piece
within our toolbox
just in case
we need it
again)
all the while,
those of us who have gone to school
for this
weirdness
have literally been graded
on things that
can be quite subjective
and we all just kind of had to
admit it
and accept it
and be graded
on our souls
(while being so young
we probably weren’t even connected
with the fullness
of those souls
quite yet)
(i know i, now, ten years later,
could still be more connected,
for my self and for my art.)
we are now
well into
the third year
of living in new york city
and though i’m not where i thought i’d be,
the whole world isn’t where it thought it’d be
either.
the pandemic has really taken the onus
off my own head
for what i wanted to accomplish
when i got here,
and redirected my aims
not lower
just sideways-er,
from theatre/circus/maybe film
to voiceover/film/maybe circus
(and a little activism in there
because how could you not be
when looking at
this world)
and theatre…?
who knows what will happen
within this third year
(within these next few months/weeks/days)
but i do know that
governmental policies (or lack thereof) really left the public
out in the cold
at the very beginning
of this whole ordeal
and haven’t been able to rectify
that harm
(nor have i seen much in the way of trying)
and i shouldn’t have expected any better
but man
do i want
to trust
that people
will do the right things,
but power seems to corrupt
even the
best of us…
but
i was talking about
living in new york city
and my life here
(or lack thereof)
and all i have to say is,
though i don’t think i ever really got
the ‘true’
living in nyc experience,
i still suspect
i couldn’t live
anywhere
else.
i didn’t think that
being on a stage
would make me emotional
(and to be fair,
it didn’t make me
cry
or
giggle
or elate
or spiritualize
or anything like that)
but seeing
rows
upon rows
of seats
(though empty)
from center stage
brought me a sense of
calmness
that i haven’t felt in
literal
years.
the joyful teasing
the conviviality of being around each other
the discussing
planning
problem-solving
the sharing, watching, playing
the family.
~~~
observation;
my downfall
[/upfall?]
~~~
can i
just
be good at acting
[on my own]
without needing such guidance
to stop overthinking?
[please???]
to observe
without thinking to oneself
‘i am observing’
to react
without thinking to oneself
‘i am reacting’
to live life
without thinking to oneself
‘i am living’
these are the challenges,
the paradoxes,
of being an actor.
finding the perfect music station
is an art
(one i’m not nearly as familiar with
as my spouse)
and so when i’m doing my morning pages/poems
without them
(because sleep is a necessity)
and have to find some morning tunes
on my own
i never land on
what i initially think i’ll land on…
at least there’s coffee.
~~~
so hungry
but i’m not used to eating while writing
i eat and suddenly i want
passive entertainment
it seems this old dog needs to learn a couple new tricks
~~~
if i leave
and come back
will i keep the thread of morning poetry?
~~~
fed,
caffeinated,
[not yet watered],
and i feel so much better able to
really get into these here morning page poems
is this what i *should* be doing each morning?
instead of simply sipping coffee
and waiting until after i write to eat my breakfast?
or is this simply a daily thing
that changes around
and adjusts
as my own outlook
and mood
and level of tiredness
adjusts
day
by
day
by
day
?
~~~
i mean, if i’m going to be writing a million small poems
(and by a million, let’s be honest and say probably six)
might as well just
truly
go for it.
~~~
the nerves are starting to settle in
about class later on today
(this is why i enjoyed having a circus class prior to acting class
yes, i never got to nap,
but i also never spent half the day worrying about/obsessing over my performance)
i like how our teacher sets up the class
you perform, and then she asks what goals you had for that particular scene or monologue
and this week i’m simply hoping to continue the work
that suddenly broke free two weeks ago.
i want to breathe into the monologue,
i want to be in the moment,
and i want to use my own self-loathing
to create art
instead of beating myself down all the time.
and yes, the ultimate goal is health
and possibly, someday, not constantly feeling like the most worthless hunk of flesh on the planet,
but while that’s what it’s like in my brain,
might as well be honest
and use it to connect with this character i’ve been [not so secretly] wanting to play for ages,
and maybe if i can connect while i’m in the throes of
not-so-great mental health
maybe that means i can find my way in
when i am in a healthier mental state
remember the physical sensations
without being too harsh…
maybe?
but today isn’t about how to get there down the road
that’s not the goal today;
it’s to be in the present
to breathe into the moment
to know that i have all this inside me
and relax
and trust
and simply let myself shine through.
my bursts of energy
of passion
come when i least expect them
after a particularly successful acting class?
nah
after weeks and weeks and weeks of depression
almost as a way to bring myself out of the slump?
nah
after a few days of getting really into embroidery
and getting inspired by clothing design
and finishing my current re-watch of one tv show
(but still in the middle of another)
and finishing one project
and feeling like celebration is fine
but rest is not
and getting particularly bored
yes
that is exactly when i’ll want to record
and submit for gigs
and audition
and maybe apply for representation
i just wish there were a way to access this
when the depression sets in
and everything else is exactly the same
but the boredom goes into self-sabotage
instead of inspiration
(and i wish i knew how long this inspiration would last;
last time it stayed for barely a day,
hardly any time to get a gig,
much less apply to multiple)
but voiceover feels a little less enigmatic,
more accessible,
voiceover feels like me,
a me that doesn’t have to be ‘on’ every day
or at least can be comfortably adjusted
on a non-on day
i don’t know where i’m going with this poem
if i’m actually going anywhere
but i feel inspired
i feel invigorated
and i hope to keep this feeling
(i feel like i just might)
i’d like
for my poetry
(and my acting, similarly,)
to open up the secret parts of me,
those parts that no one [sometimes not even me] sees
and bring honesty and truth and a dash of the full, elaborate
condition
of humanity
out into the forefront of all our minds
but i find
that i hide behind
humor
and perfectionism
and overthinking
and intellectualism
(but aren’t those a part of me, too?)
how can i find the true me
if it takes a bomb to push through?
that day
in class
when i accessed
what i’ve been trying to for so long,
it wasn’t a push or a force or a bomb
it was a steady ease into the presentness of my body
my mind felt connected,
continually,
for the first time in (give or take) an eternity
so maybe that should be my aim
the gentle
allowance
of self
into my poetry
but how to do that?
[breathe?]
i don’t know why
it never occurred to me
to use my “weaknesses” as strengths
in acting.
i always pondered using my
quick-to-cry
sensations
as a way to
trick
my body
into crying on cue
but that never worked
and i think the key word there
is
“trick.”
i consider my passions
my caring too much
my crying when i’m frustrated
as the “bad” parts of my personality
mostly because they do get in the way
of living a normal life
but i don’t live a normal life
i’m an actor
and rather
than trick my subconscious
into using the base reactions
of my weaknesses as strengths
what if i actually and fully used my whole “weaknesses”
as my strengths?
i’m passionate,
so passionate,
i sometimes can’t decide
on which side
i align
(i solidly stand on the side of progress and compassion,
but with so much wrong with the world,
it’s difficult to concentrate
on just one issue,)
so i so often feel
overwhelmed
and lost
and without an outlet to create actual change
and i often force myself to try to decide
on just one
but
i’ve always considered my social justice life
and my acting life,
while influenced by social justice,
separate
(unless i’m performing in a thing
that is aiming towards creating
social changing)
but, just like i need to stop expecting
neurotypicality
from me
i also need to acknowledge that
as a queer, nonbinary, trans person
my existence holds in it
social change,
and my performing
any script
holds the passion
for some of the social change
of which i seek
and i know what my body/brain/mouth/soul feels
when i discuss a topic
about which i care deeply
and i can take that
and bring it
to other topics,
and i can cater my auditions
to those where passion is forefront
not to change my weaknesses into strengths
but to acknowledge
that all the things i thought were weak
are in fact
so
damn
strong.