evening posting
evening writing
evening time in bed
cuddling
and creating
and falling asleeping
[it’s nice when the whole family’s here]
evening posting
evening writing
evening time in bed
cuddling
and creating
and falling asleeping
[it’s nice when the whole family’s here]
the problem with my desire to write
both poetry and prose is that
my poems feel more like journal entries
and my stories read more like poems
and when i try to make sure one feels like itself
[or even if i force into line the opposite kind
of writing that most folks find stable and ‘right’]
it all feels forced and off and awkward in the daylight
so, i suppose, i should just always write without expectation or label or genre
or even a plan for any words that come to mind?
i suppose, i should just
write?
“meanwhile
back on the farm…”
why do singular lessons stand out to me
when whole years disappear
in my sieve of a memory?
i can barely remember the good times
and only moments of the bad
and probably just what i made monologues of memories
is what still comes back to me
even after i’ve long since let go of that story in my repertoire
[what would it be like to have the memory
i was born with, instead of the memory
i was traumatized to have?]
i’m ecstatic
i’m scared
i’m electrified
i’m anxious
i’m invigorated
i’m apprehensive
i’m defensive
i’m meditative
i’m happy?
[maybe?]
i’m existential
i’m whatever
i’m apoplectic
i’m in shock
i’m winding down
i’m revving up
i’m lost
i’m found
i’m starting now
i’ve gone through so much
i want
i want
i need
i yearn
i spin yarn after yarn after yarn
but i never seem to learn
that it’s all part of the human condition —
there isn’t one affliction or emotion
better or worse than the others
when you look at one whole life lived
[and you’re not even near the end
as far as makes sense — why are you always
wrapping up your life in your head
to make the ending
an end
rather than a beginning
of a new era]
[you do you,
but also,
there’s more left of you
than you seem to act like
you
have
left]
i think i know what i’d like to do today
and that is
whatever my heart desires
Computer has officially
exited her shark era;
turning a solid three-years-old,
she is no longer a puppy who will bite
everything she can get her teefies on.
so we celebrated by having a long walk
in her shark halloween costume,
playing in the park
with her best dog friend,
and getting an ice cream
and a new shark toy
once home again.
and she celebrated the way she does
every other day —
by being the happiest,
most tail-waggedy,
puppiest puppy
we’ve ever seen.
[even if the shark era has ended, i believe
the puppy era will continue on
forever]
ominous new year’s eve thunderstorm
ringing in the ominousness that is
twenty-twenty-five
nothing like reading
other people’s poems
to make me feel like
a fraud
a fake poet made out of
three tiny actors
in a trenchcoat
a fake poet made of
a whole slew of fake mustaches
attached to fake noses
and prescriptionless plastic glasses
a fake poet made of
a whole buncha prose
lined up
in shorter
stanzas
a fake poet made out of
experiences
pondered
[but maybe
that’s all a
poet needs to be]
the poetry is stilted
today
usually, if i get distracted
i catch myself staring off into space
for minutes
before i look back at my
half-finished poem
and then i take a moment to figure out
if i can reasonably get back into it
or not
but there is a moment
between realizing i’ve lost my concentration
and trying to get it back
that i know so well
and i keep having that moment
that feeling
without the minutes of staring off into nothingness
like my brain has decided it cannot concentrate
on even one poem this morning
and instead i must shatter my attention
into a million tiny bits
and hopefully i can repair them
into something resembling
a poem
the balance between
witnessing
and
desensitizing
is a much harder one
than i originally
expected