stop writing
for purpose
stop writing
for audience
stop writing
for rules
and structure
and rhyme scheme
and
just write
for expression
for emotion
for you
for you
[for me]
[i write for me
let that be what it will be]
stop writing
for purpose
stop writing
for audience
stop writing
for rules
and structure
and rhyme scheme
and
just write
for expression
for emotion
for you
for you
[for me]
[i write for me
let that be what it will be]
the interesting thing
about this way of writing
poetry
(and prose, i suppose)
is that flowing from the fingertips
is actually the most apt analogy—
i don’t sit here
pondering each line
especially coming up with each
rhyme
instead i’m writing
and writing
and typing as the words come to me
sometimes before even
i have any sort of language inside my mind
but the words keep flowing/
like little rivers from brain/
to my hands/
crafting a poem
a story
a something
and not knowing if it’s good or not
but at least
knowing
that it
flows
i have so much more i want to say
but my brain won’t focus itself in a way
that i can parse through
what i’ve said yet
and not
so i suppose i’ll wait until tomorrow
(or maybe just until this day
is through)
and try again.
usually
i use morning page time
to write what’s bouncing around in my mind
and smooth out the edges
of the frantic thoughts and premises
and write for an audience
once i’m done
parsing
ponderings
but this morning
i’m just continually
digging through
my mind’s soil
and seeing what might grow
and i don’t know
if any of my work is readable
much less digestible
but better to let indigestion take hold
than not have anything to show
from such a
productive
pensive
morning
right?
planning and preparing
are nothing when it comes to
insurance
human fallibility
and the twists of the fates
~~~
i use squiggles
[tildes]
to break the momentum
from one poem
to the next
but only in a batch of three
because formatting in devices these days
is far too variable
for a whole line
so i rely on my
three
little
squiggles
to [hopefully] signify
to both reader and writer
that this poem is over–
re-ready yourself
for a whole new
poem
beginning.
~~~
lost in the depths of a book
so visceral
so immersive
so taking-me-along-for-the-ride
i can’t decide
if this one is more stressful than the first
but all of these ninths
give me some sort of curse
of caring
and staring
long distances as i listen to them
audiobooks carrying me through the star-system
the big house
the river
and i just want to know
what happens next
what happens next
what happens next???
the focus
of today
is failing
whether i write one hundred words
or one
i can’t seem to keep them all in line
with one another
i’m not one to give up
but i am known for knowing
when i’m fighting a losing battle
and maybe it’s simply time
to give myself
a [day’s]
break
my mind fills with stories
my eyes close and see words
language was always about translation
from thoughts to forms others understood
but here in this moment
when opportunity meets momentum
only morning pages
will ever
get done
~~~
but is that
so bad
a thing?
~~~
i know i could write prose in poetry
i know i could tell a story esoterically
but my words still only seem fit
to express the feelings
in my own life
how could i tell another’s?
quick
quippy
poems
poetry
at its finest
and finest thread of
through line
and fate
and maybe make
the internal rhyme scheme
and alliterative styling
say more
than just
appear
for appearance’s sake
the whole concept of writing
right now
feels egregious
to me
to sit in solemn silence
and ponder grand plans
tiny details
and all between
and simply translate them
to characters in words upon a screen
i don’t know why i
can go from sixty to zero
from brain chattering every day
so much to do, so much more to say
all the previous yesterdays
and then today
be struck
stuck
stagnant
and frustrated
by the whole concept of language
such is the life
and times
and minds
of writers?
some days
you get the poem
and some days
the poem gets you
and other days
you run away from each other
at lightning speeds
and that’s all okay