but what to write about
when my brain feels so tired
and exhausted from trying to
be creative all week
and knowing that there’s still a couple of things
left to adjust
and fix and mix in
but it’s ok
for a first
draft
it’s ok
for my first
try
it’s ok
for a first
and maybe even a second
or maybe
maybe
maybe
it’s better than ok
for all of those things
[i need to believe
in my creativity
more]
gibberish poems
can become
gibberish songs
which may be
exactly what i need to do
in order to stop me
from overanalyzing
and overjudging
and overscrutinizing
my own creativity
spectacular
spectacle
and spectacles help us all
see
wonders
in our own
and each others’
eyes
for once
for twice
for as many times
as we might find a rhyme
and/or reason
to climb
and explore
and discover
and become
one
with some sort of
happiness
[if we can
if we can]
~~~
there’s still a bit of
misalignment
when it comes to
my own self
and my poet self
and i cannot tell if that’s because
i don’t perform my own poetry enough
that it becomes as second nature as
acting
or aerial
or simply listening
but my own poetry
i have to remind myself
‘i made this
and it isn’t
half
bad’
~~~
or perhaps it’s because
i’m all self-taught
and i’m just flying by
the seat of my pants
and i can’t totally tell
what works and what’s a fail
except that
some poems flow like water
and some drip like sludge
and every now and then
i find a rhyme that tastes as good as it sounds
but i don’t know how i found any of that
it just happens
through trial and error
every
single
time
like i’m always starting
from one
can i just
pick up
where a poem left off?
~~~
and continue the poetry
will it still be magical?
will it still be me?
~~~
i mean, probably
it has to be
because it is still me
who’s writing all the words
right?
i don’t actually know what it means
to be
a great writer
a great poet
i’m just sitting here
at my messy dinner table
early in the morning
writing whatever comes to mind
as a way to encourage myself
to deal with the day
that is coming towards me
at breakneck speed
maybe,
when you’re in your ‘fighting a [seemingly] losing war
against fascism with the best tool you have —
kindness’ era
you’ll understand
~~~
i feel like this kind of morning
and this kind of writing
is the reason i started this challenge to begin with
i feel more awake
more aware
more ready to start my day
though i still need to edit and pick and send in the audition
i feel so much more prepared for it
now
~~~
“you look like such a writer!”
of my big sweater
comfy tee
glasses
bun
and coffee in hand
and i do, don’t i?
i do…
writing
trying to outpace
the time it takes
to run down my laptop battery
and
the arrival of our breakfast day
a little adrenaline
to start
today
in photography, i have no problem
taking tens
of hundreds
of thousands of photos
knowing that somewhere in there,
there will be a great picture —
gorgeous
experimental
framed well
captured beautifully
and composition, exquisite
and even in poetry, mornings of multitudes,
all my poems
multiple
every morning, i know
not every poem will be great
but somewhere in here
there may be something
to write home about
then why oh why do i shy away from
the writing of prose/novels/
or plays?
as if i need my first try to be
so great
otherwise i should just
give
up
?
is it simply that it takes so much longer to write
longer form, than it does to slap dash down a poem
or capture a second or few
in a non-moving image?
so the effort to output
ratio feels more
[risky]
[or am i so scared of something more/or less scary?]
i wish i saw through poet’s eyes
the beauty of the earth at all times —
but instead i see the pain and despair
and try to beautify that
with impassioned speeches/
or try to find the tiniest spec
of lovely
in a day full of pain/
and make the mundane
beautiful again
though it doesn’t really feel like
poetry
to me
without grand sunsets
or allegories of bees and flowers,
i’m over here trying —
making beauty out of angst
and bubble gum
build a concept
from words and stanzas,
make it stand like the structure of a house
but the house still needs full walls and floors and a roof to keep it dry
so decide:
are the walls paragraphs of a story?
is the foundation actually one a play can stand upon?
or will the covering shelter end up being a whole novel?
or will it stay a poem forever?
only reviewing and editing can do that —
but only writing the first few words
will give you the skeleton
to build upon
writing out what i need to work through,
but jumbles of feelings
and half-formed stanzas of
partially-formed thoughts
aren’t really something i’d want to share with
‘the public’
[or even, really, with myself]
so i guess i’ll write about writing
for the three-hundredth
three-thousandth
three-millionth time
and post that here
and hope
it at least makes some sense
and doesn’t feel too
deja vu-y
kipventures 