stress and
apprehension and
a desire to make these poems
go somewhere.
i’m constantly plagued
haunted by
itching with the possibility
of a full story
expanding
under a reader’s nose
(what was that one book?
Green Angel?
something like that?
where it was poetry
that unfolded
into a complete story?)
and i want these Morning Poems
to tell my story,
but how can they
when my story isn’t done yet?
i may be right at the beginning
i might be hella in the middle
but one thing’s for certain:
life is messy
and stories are good or bad in how they’re told,
not the stories themselves,
especially when they’re true
honest
nonfiction.
it’s the fiction that gets the nice, neat bow at the end;
life blurs around the edges
try hard as you might
to color inside the lines
so embrace the chaos
cacophony
quandary
(and, of course, let your imagination ride out
the potential
of telling a portion of this story
your story
in this form you’ve happened upon…
maybe there is a way to tie up
the loose ends
of a fraction
of your tale.
in fiction,
of course)
poem endings
August 31, 2021
summers
have always been
Magical
for me
as a child
wandering around lands i probably shouldn’t have been wandering around
sneaking past “no trespassing” signs
set against hunters’ blinds
(but no one was ever there when i was there;
November is the time for guns,
June, July, August the time for fairies in human form),
skirting around soy bean farms
before ‘soy’ was even a word in my vocabulary
(‘fuzzy beans,’ i used to call them),
crossing tiny creeks
jumping or wading
watching waterbugs skitter past
breathing in the hot air
staying mostly under trees
to avoid the [inevitable] tomato red sunburn
sometimes with friends
but most of the time with myself
speaking stories out loud
creating both sides of dialogue on the tip of my own one tongue
the endless tales of magic
and friendship
and exploration
my companions
for whole summers.
as an adult, most summers have come and gone
but there have been
two
that have held even more magic:
at twenty-two
i was dumped
one month shy of a five-year anniversary
and my personality had become contingent
on hers
and the April breakup,
the steady flow of May tears
somehow passed into a
June/July/August
of friendship and finding myself
truly feeling my emotions for the first time since i was
seventeen
(perhaps even farther back, because of, you know, the trauma;
perhaps feeling emotions fully for the first time since i was
eleven),
and i felt the good and the
bad
the joy and the
sorrow
the bitterness and the
love.
and i found that friendship didn’t need to stay braced on the one side of
platonic
and i found that i could be myself, silly, joyful, tearful, and loud
and sociable
in a way i’d never felt before
(always having been on the outside,
the observer,
the child alone in the field talking to themselves making up worlds and adventures…)
there was a magic in that summer
i don’t think i could accurately name,
a friendship, a late adolescence, a very slight hedonism, but a care for self and others,
that was my first adult magic summer
(The Summer Of No Egrets)
at twenty-seven
(plus 3)
my spouse and i moved to the city that never sleeps,
and after celebrating my twenty-seventh birthday for the fifth time
we looked forward to getting settled over the winter
and truly getting to know the city in the spring.
and then a global pandemic happened.
time stood damn near still
most people home, waiting
two weeks turned into four, which turned into another month, then another
until we were ‘working from home’ ‘indefinitely.’
and as an actor
one who works gig by gig,
long, spacious times between each production
(zoom replacing stages,
closets full of sweaters replacing in-person sound booths),
i had plenty of time to watch the tides from our living room,
cheer at 7 for those putting their lives on the line to keep the city as healthy as possible,
and one day, after an endless string of Black men (and women, and children, and trans women and trans men and nonbinary folks…) being
killed
murdered
by the hands of those who white america thinks are here for
“protection,”
the nation broke,
the city
erupted.
i was aware as far as national news,
but a contingent marched past our building
and i felt foolish for not having been among them,
so i did my research,
and joined in marches,
across downtown Brooklyn,
where healthcare workers stood outside their workplaces
and cheered for us, on the front lines, trying to make the city
safer
than originally thought possible,
blocking traffic in Manhattan,
listening to folks of color
tell me tales,
speak words that
i knew logically,
but hadn’t thought of
emotionally.
and a full scale revolution erupted.
i watched as those in power were given
full riot gear
as we peacefully chanted to the sky
“i don’t see no riots here.”
taking knees,
holding space,
coming in white
staying in silence,
listening
and listening
and listening
and watching
and observing
and protecting
and seeing how a world could be better
the magic of that summer,
of a whole damn city coming together
to say that Black Lives do matter
and they matter
to us
every day
for an entire summer…
and while i wasn’t able to be out there every day,
i still felt the magic
that there was more than just me,
i was one amongst many;
the full power wasn’t in my face,
but mine as one in a sea of faces
so many you could no longer pick out just one
and everyone was invigorated
and everyone was excited
and everyone was yelling/chanting/singing in their hearts
and i was able to see
what community looks like.
the magic
of what community looks like.
i don’t have a good ending
for this poem.
but i think,
upon some months of reflection
after the initial fingertips to keyboard keys
musings of these magics
one idea stands out a little farther than the others:
it’s the people.
the magic of my childhood summers was based
[primarily]
in isolation,
the feeling of needing a break
from the ever loud and sociable days of school
forced by law to be there
day after day after day after day after day,
and that break was necessary.
but the magic of my adulthood summers
is based absolutely entirely
in community
in coming together
in observing and living
the ideal of what togetherness means
(and maybe my childhood summers weren’t about isolation at all,
but instead creating the community i needed,
that i hand’t found yet
in my mind…)
but please, as we get back to a reality
that is about to endure the difficult (for me) transition
From August to September,
from summer to fall,
remember that people are important
and the magic is in
togetherness,
and find your community in
whatever way and place suits you best,
and donate some money or time
to a Black-led organization
today.
August 22, 2021
i [will i ever?] never do anything with my
‘Big Poems’
and i have so dubbed them because
they are (for lack of a better word)
Big™
there are many words,
the concepts are huge,
the concepts are also, often, risky
(as in, i’m leading with an opinion
or a statement
that has the potential
to anger
a whole group of
[already very angry]
people.
and as a bit of a pacifist,
that concept is terrifying
(both from a my-own-safety
and from a my-own-philosophy
kind of way)
but as a bit of a radical
anti-capitalist
anti-patriarchal
and 100% anti white supremacy
-ist
i should feel comfortable
confident
to speak my own truth
knowing
that to uphold life
above profit
in all things
is righteous
not wrongteous
it’s just that…
the other side is so loud
and my ears already hurt
from closing them to my own personal truths for so long
(but that’s another subject
for another poem
for another day)
today we are wondering
if i’ll ever bring those Big Poems out from my document
share them with the ten or so readers that ever traverse past this page
and even if i get up the gumption
what then?
they are saved and stuck for another reason,
and that reason:
they still feel unfinished.
but, as i think i’ve written before,
i’m bad at finishing things
i’m bad at conceptualizing endings
i’m bad at wrapping things up…
(but maybe that’s what the Big Poems need…
big ideas don’t necessarily have a nice ending
wrapped up in a beautiful bow,
so…
)