August 13, 2022

to write
or not to write
on this day
of performing
my own poetry
live
for the very first time

that sure is the question

~~~

can coffee
really do for my creativity
what it already does for my
comfort
and
awake-ness
and routine-building?

~~~

Oven Puppy
appears in reflections
all over our walk
and the puppy
(our puppy, Computer the Puppy)
wants to know:
is Oven Puppy nice?
how did Oven Puppy even get into our oven?
why does Oven Puppy always mimic Computer’s movements/
barks/
danger tail-poof?
how did Oven Puppy get inside the college windows at night?
and will Oven Puppy ever come out to play?

——————————————————————

The show is today, virtual, 2pm Eastern, and free
for tickets: https://www.eventbrite.com/e/321018253237

July 31, 2022

audiences
are integral
to a performance

i wish it wasn’t so,
but it sure is.

so, if the audience’s energy
is lively,
is loving the show,
is literally having the time of their life–
the performer(s) will, too.
one hundred percent.

i usually tell new performers
(especially in circus)
to enjoy themselves on their apparatus–
the audience will respond to that enjoyment
and enjoy themselves,
and that energy from the audience
will encourage the performer,
who will send their energy back to the audience,
for a kind of reciprocal feedback loop
of joy.

but i often neglect
(on purpose)
the very real instances
of audiences being super low energy:
not responding to any energy from the performer(s);
or being weird:
responding in unexpected ways
that throws the performer’s energy off–
because you have to be a well-seasoned performer
to pick that kind of energy out
consciously
(but even novices will be able to tell
that something
is simply
‘off’)

June 10, 2022

i suppose the reason
i’m so damn nervous
about this upcoming performance
is because it’s the only one.

i can overthink
and over prepare
and over-wrack my nerves
because i’m not at the point
yet
where performing is just
my way of life

(it doesn’t help
that this is the first live one
since before the pandemic,
so the pressure
mounts
immeasurably)

July 12, 2021

i don’t know why
it never occurred to me
to use my “weaknesses” as strengths
in acting.

i always pondered using my
quick-to-cry
sensations
as a way to
trick
my body
into crying on cue

but that never worked

and i think the key word there
is
“trick.”

i consider my passions
my caring too much
my crying when i’m frustrated
as the “bad” parts of my personality
mostly because they do get in the way
of living a normal life

but i don’t live a normal life

i’m an actor
and rather
than trick my subconscious
into using the base reactions
of my weaknesses as strengths
what if i actually and fully used my whole “weaknesses”
as my strengths?

i’m passionate,
so passionate,
i sometimes can’t decide
on which side
i align
(i solidly stand on the side of progress and compassion,
but with so much wrong with the world,
it’s difficult to concentrate
on just one issue,)
so i so often feel
overwhelmed
and lost
and without an outlet to create actual change
and i often force myself to try to decide
on just one
but
i’ve always considered my social justice life
and my acting life,
while influenced by social justice,
separate
(unless i’m performing in a thing
that is aiming towards creating
social changing)
but, just like i need to stop expecting
neurotypicality
from me
i also need to acknowledge that
as a queer, nonbinary, trans person
my existence holds in it
social change,
and my performing
any script
holds the passion
for some of the social change
of which i seek

and i know what my body/brain/mouth/soul feels
when i discuss a topic
about which i care deeply
and i can take that
and bring it
to other topics,
and i can cater my auditions
to those where passion is forefront
not to change my weaknesses into strengths
but to acknowledge
that all the things i thought were weak
are in fact
so
damn
strong.