October 17, 2025

damn
this performance just
snuck
right
up

i suppose it makes sense
what with
everything
else
going
on

but

i get to perform

i get to back-up dance

i get to watch my friends perform

and i get to co-host

[which is technically not an entirely new thing
for me, but the last time it happened was like
over ten years ago now, and i have almost no
memory of it, so it feels brand spanking new]

if you are near purchase, new york, why not stop on by
[tickets are free!]

https://www.ticketleap.events/tickets/queeryus/out-and-proud-a-ndod-celebration

May 16, 2025

performing

anxiety
anticipation
excitement
fear

hope

acting

for better or worse
it was my first training
it was my most training
it is the time that i feel the most myself
on stage
even with the
anxiety
and fear
there is always still
anticipation
to excitement
to hope

[if you’ll be in nyc
tomorrow, may 17th,
come on out!]

February 21, 2024

is it true?
that hearts synchronize in beat beat beating rhythms
when sitting in an audience
of a performance

i agree —
i want so badly to believe —
and it probably comes from some sort of truth
[there’s that study of church vs live musical performance
and how they give the same
spiritually
significant
feeling]
and i know my heart’s emotions
synchronized with those around me:
gripping our chests
because we couldn’t reach deep
and hold our own hearts,
murmurs of agreement
of sorrow
of unthinkable pain and loss and struggles to keep humanity,
and humming catchy tunes as they remained stuck after the applause had ended,
and feeling as though the whole space —
performers
audience members
volunteers
everyone —
had hugged me and held me
as i
as we
listened to damn near unbearable story after unbearable story after unbearable story…
but we bore it,
and we were witnesses to it,
all
for the synchronization
of our
beating
hearts

July 22, 2023

the nerves
of all this past week
seem to melt away like butter
the morning of the show
just because
i’m so tired
and achey
and sleepy
and in pain
that i don’t even have the capacity
to feel much
of anything else

…hooray?

December 31, 2022

a dreary
rainy
new year’s eve

no big celebration
but maybe that’s what we need

to look at the past
and get excited for the future
and chill in the house with crafts and puzzles

writing reviews
picking poetry
performing
later

as long as i’m with my Kip
i’m happy

[though i’d be extra enthused
if next year we continued
our old tradition
of out-of-the-country travel
for the holiday times]

so long, 2022

[come see me bid farewell to the year with some poetry of my own via Zoom at 7pm Eastern:
https://www.eventbrite.com/e/new-years-eve-they-them-mayhem-tickets-419529813967 ]

July 31, 2022

audiences
are integral
to a performance

i wish it wasn’t so,
but it sure is.

so, if the audience’s energy
is lively,
is loving the show,
is literally having the time of their life–
the performer(s) will, too.
one hundred percent.

i usually tell new performers
(especially in circus)
to enjoy themselves on their apparatus–
the audience will respond to that enjoyment
and enjoy themselves,
and that energy from the audience
will encourage the performer,
who will send their energy back to the audience,
for a kind of reciprocal feedback loop
of joy.

but i often neglect
(on purpose)
the very real instances
of audiences being super low energy:
not responding to any energy from the performer(s);
or being weird:
responding in unexpected ways
that throws the performer’s energy off–
because you have to be a well-seasoned performer
to pick that kind of energy out
consciously
(but even novices will be able to tell
that something
is simply
‘off’)

July 12, 2021

i don’t know why
it never occurred to me
to use my “weaknesses” as strengths
in acting.

i always pondered using my
quick-to-cry
sensations
as a way to
trick
my body
into crying on cue

but that never worked

and i think the key word there
is
“trick.”

i consider my passions
my caring too much
my crying when i’m frustrated
as the “bad” parts of my personality
mostly because they do get in the way
of living a normal life

but i don’t live a normal life

i’m an actor
and rather
than trick my subconscious
into using the base reactions
of my weaknesses as strengths
what if i actually and fully used my whole “weaknesses”
as my strengths?

i’m passionate,
so passionate,
i sometimes can’t decide
on which side
i align
(i solidly stand on the side of progress and compassion,
but with so much wrong with the world,
it’s difficult to concentrate
on just one issue,)
so i so often feel
overwhelmed
and lost
and without an outlet to create actual change
and i often force myself to try to decide
on just one
but
i’ve always considered my social justice life
and my acting life,
while influenced by social justice,
separate
(unless i’m performing in a thing
that is aiming towards creating
social changing)
but, just like i need to stop expecting
neurotypicality
from me
i also need to acknowledge that
as a queer, nonbinary, trans person
my existence holds in it
social change,
and my performing
any script
holds the passion
for some of the social change
of which i seek

and i know what my body/brain/mouth/soul feels
when i discuss a topic
about which i care deeply
and i can take that
and bring it
to other topics,
and i can cater my auditions
to those where passion is forefront
not to change my weaknesses into strengths
but to acknowledge
that all the things i thought were weak
are in fact
so
damn
strong.