October 17, 2025

damn
this performance just
snuck
right
up

i suppose it makes sense
what with
everything
else
going
on

but

i get to perform

i get to back-up dance

i get to watch my friends perform

and i get to co-host

[which is technically not an entirely new thing
for me, but the last time it happened was like
over ten years ago now, and i have almost no
memory of it, so it feels brand spanking new]

if you are near purchase, new york, why not stop on by
[tickets are free!]

https://www.ticketleap.events/tickets/queeryus/out-and-proud-a-ndod-celebration

December 31, 2022

a dreary
rainy
new year’s eve

no big celebration
but maybe that’s what we need

to look at the past
and get excited for the future
and chill in the house with crafts and puzzles

writing reviews
picking poetry
performing
later

as long as i’m with my Kip
i’m happy

[though i’d be extra enthused
if next year we continued
our old tradition
of out-of-the-country travel
for the holiday times]

so long, 2022

[come see me bid farewell to the year with some poetry of my own via Zoom at 7pm Eastern:
https://www.eventbrite.com/e/new-years-eve-they-them-mayhem-tickets-419529813967 ]

July 31, 2022

audiences
are integral
to a performance

i wish it wasn’t so,
but it sure is.

so, if the audience’s energy
is lively,
is loving the show,
is literally having the time of their life–
the performer(s) will, too.
one hundred percent.

i usually tell new performers
(especially in circus)
to enjoy themselves on their apparatus–
the audience will respond to that enjoyment
and enjoy themselves,
and that energy from the audience
will encourage the performer,
who will send their energy back to the audience,
for a kind of reciprocal feedback loop
of joy.

but i often neglect
(on purpose)
the very real instances
of audiences being super low energy:
not responding to any energy from the performer(s);
or being weird:
responding in unexpected ways
that throws the performer’s energy off–
because you have to be a well-seasoned performer
to pick that kind of energy out
consciously
(but even novices will be able to tell
that something
is simply
‘off’)

July 12, 2021

i don’t know why
it never occurred to me
to use my “weaknesses” as strengths
in acting.

i always pondered using my
quick-to-cry
sensations
as a way to
trick
my body
into crying on cue

but that never worked

and i think the key word there
is
“trick.”

i consider my passions
my caring too much
my crying when i’m frustrated
as the “bad” parts of my personality
mostly because they do get in the way
of living a normal life

but i don’t live a normal life

i’m an actor
and rather
than trick my subconscious
into using the base reactions
of my weaknesses as strengths
what if i actually and fully used my whole “weaknesses”
as my strengths?

i’m passionate,
so passionate,
i sometimes can’t decide
on which side
i align
(i solidly stand on the side of progress and compassion,
but with so much wrong with the world,
it’s difficult to concentrate
on just one issue,)
so i so often feel
overwhelmed
and lost
and without an outlet to create actual change
and i often force myself to try to decide
on just one
but
i’ve always considered my social justice life
and my acting life,
while influenced by social justice,
separate
(unless i’m performing in a thing
that is aiming towards creating
social changing)
but, just like i need to stop expecting
neurotypicality
from me
i also need to acknowledge that
as a queer, nonbinary, trans person
my existence holds in it
social change,
and my performing
any script
holds the passion
for some of the social change
of which i seek

and i know what my body/brain/mouth/soul feels
when i discuss a topic
about which i care deeply
and i can take that
and bring it
to other topics,
and i can cater my auditions
to those where passion is forefront
not to change my weaknesses into strengths
but to acknowledge
that all the things i thought were weak
are in fact
so
damn
strong.

July 10, 2021

concentrate first on what you’re writing
don’t think about how to perform it
nor what people are going to think of it
nor what people will say to you

sunday will arrive far sooner than you expect,
why make it arrive earlier
by anticipating everything that will happen?
(maybe that’s just how my brain works?)
(but it seems very, very unhelpful)

~~~

i don’t know why
french café music
calms me so
but it sure does
so here it plays
morning after morning
picking up a few more words every dawn
surprising myself by how much i understand
hoping one day to catch it all.

~~~

am i ever going to attack
full, epic, long-form, big damn poetry
again?

(i suppose i just did,
what with the monologue assignment
i just wrote slam poetry for,
and i suppose i shouldn’t
count out
the big poems
sitting in this giant document
just waiting for revisions
and posting)

but it confuses me,
this ebb and flow of poetry
of how some days words slip and flow
and some days i must pull and pull and pull
and what that all means for myself
and me
and my creativity…

May 14

get pulled into audience participation dancing
Perform

feel out of place on a luxury train
Perform

meet new people who think your life is interesting
Perform

that is your profession, is it not?