should be excited
should be nervous
should be chittering and shaking and heart pounding and butterflies lining the walls of my stomach
but instead i’m numb
i’m accepting
i’m tired
i’m surviving
[what depression does]
should be excited
should be nervous
should be chittering and shaking and heart pounding and butterflies lining the walls of my stomach
but instead i’m numb
i’m accepting
i’m tired
i’m surviving
[what depression does]
audiences
are integral
to a performance
i wish it wasn’t so,
but it sure is.
so, if the audience’s energy
is lively,
is loving the show,
is literally having the time of their life–
the performer(s) will, too.
one hundred percent.
i usually tell new performers
(especially in circus)
to enjoy themselves on their apparatus–
the audience will respond to that enjoyment
and enjoy themselves,
and that energy from the audience
will encourage the performer,
who will send their energy back to the audience,
for a kind of reciprocal feedback loop
of joy.
but i often neglect
(on purpose)
the very real instances
of audiences being super low energy:
not responding to any energy from the performer(s);
or being weird:
responding in unexpected ways
that throws the performer’s energy off–
because you have to be a well-seasoned performer
to pick that kind of energy out
consciously
(but even novices will be able to tell
that something
is simply
‘off’)
puppies
playing
in the morning
the joy
it brings
me
gnaw on that rope!
chase that bouncy kong!
harass that hasslecat!
(the world is your dog park)
~~~
commotion:
the morning;
the coffee.
~~~
the promoting
of shows
always
stresses me
the buttz
out
(
https://www.eventbrite.com/e/aerial-arts-nyc-iaw-showcase-tickets-358998302587
if you want to zoom
in
)