here we are
working[auditioning]actor
less time for
writing
more time for
figuring out
[im]perfectionism
here we are
working[auditioning]actor
less time for
writing
more time for
figuring out
[im]perfectionism
i keep feeling
almost
ready to write
like i
almost
have a concept i’m happy with
or i have
almost
found the optimal writing situation/
location/
time of day/
mood/
lighting/
sound/
something/
etc.
but
if imperfection is what i’m looking for
in the product
then perhaps
i should look for that, too
in the process
i am struggling this morning
and that’s ok
that’s ok
that’s ok
i don’t need to churn out perfect poems
and mind-bending perspectives
each and every day
one poem to post
simplistic and chill
as these other ideas percolate
for another morning poem time
and i can let myself be imperfect
i can let myself be imperfect
i can let myself be imperfect
i can.
my fingers want to be busy
without input from my brain
for my mind has been doing too much time
in repetitious actions
circling points
but never quite making it to center
and my hands could do the same
but forward action
seems to actually be measurable
in physical space
and the mind is an ugly place
to obsess
about others’
imperfections
[im]perfection
plagues my mind
i strive for it
though i know it’s
unattainable
i try to rewire
rewrite
the narrative
the choice
to choose imperfection
but the core of me whispers
‘what if you’re just not trying hard enough
and you
and only you
are the one person who could do it
perfectly
and you’re just proving how much of a failure you are
by choosing
not to
try’
and i am stuck
in this cycle
never-ending
that only ends in
failure
failure
failure
a failing
of
me
how
can i constantly feel
like a novice
in all i do?
i’ve performed all my life,
but i still feel second/
third/
fourth/fifth/sixth/
end of the line
when it comes to opportunities
for the stage/screen arts.
i’ve had six plus years in the air,
but i’m a perpetual student
here.
i’ve written
every
single
morning
poetry
for over a year and a half,
but i’m still too scared to submit,
to hear the possibility
that i’ll forever be
amateur;
living only for the love of words,
never ‘going anywhere’ with it.
and what’s so bad about that?
capitalism/colonialism/white supremacy
forces our minds to find some meaning
out of what we can produce/expert the field
in a way that makes money—
churn out content/
content/
you need to create more content…
where is the place for creating for the sake of creativity?
and why can’t i find my own balance?
i think
it’s because
i just want to feel
like i know
something.
i want to feel adept/
professional/
expert/
master/
ace/
like i don’t have to second guess every choice i make—
that’s what i want out of my crafts.
sometimes
creativity
just needs a
change of scenery—
a trip to the coffee shop
or to a whole new continent
but sometimes, a simple switch
from table to couch
is all that was needed
~~~
interesting—
i pride myself on variety
on variating my verbs and adjectives
and nouns
too;
repeated words and phrases
(unless used in threes or themes)
cause me such duress
that half my writing time is spent
searching
for the
perfect
word
in thesauruses
and dictionaries
online—
trying to continue the thought
but include intentional alliteration
without the clumsiness of
a word
repeated—
to me that is the mark of a novice
or just a messy writer
(maybe not when others do it,
but definitely when it shows up in my work)
but
the last few days, i’ve had
repeated words
a couple of same-phrases
sitting in close proximity
in one poem
without the third to make it a theme
and i think my soul is experimenting with
imperfection
with finding a simple/correct phrase
and sticking to it—
embracing
the words my mind came up with in the moment
and going with it
and seeing what comes of it.
~~~
i’m writing
and writing
and writing down
the thoughts as they come
the words as they crown
(is that rhyme too obvious?
that metaphor too gross?
or perhaps just too femme-y
for male-bodied bros?)
but my intention
for this one poem
is simply to keep going
keep writing
keep growing
keep feeding the fire
and the belly of desire
to write words forever
(or at least until my word count
inspires
an ending)
i really don’t know what i’m doing.
my only post-secondary education
in poetry
was over a decade ago
and i can’t really remember
anything i learned
(granted, that’s probably from
all the trauma/trauma responses
i was experiencing
at the time),
but i digress…
i feel like my skills
with words
would improve
if i could just
Remember
those words.
i often know exactly what i want to say,
and that there is a word
that’s perfect,
but i can’t for the life of me
remember it.
or i know what to say
and i also suspect
there’s an even better word
that would fit the scheme/
rhyme/alliteration/pattern
better than what i have down already
and the harder i try to think
the better i understand
all those analogies
of holding sand
in tightly grasped hands
the desperation
erases
all sense of
every word
i’ve ever known.
so that’s why my poetry
is a little
imperfectionistic,
a little
‘flying by the seat of my pants’,
a little
self-aware/meta/laughing at my own poems,
because otherwise
the grasp would be even tighter
and the only remaining
grain
of sand
would be that of my name
(and even that
i don’t always remember
right away)
it’s getting close
to the end of the year
and i’m overwhelmed
by how much
and how little
happened this
twenty twenty-one.
~~~
wordplay
play with the
prefixes
suffixes
rhymes
(internal
and
external)
believe
in
beliefs
and skew slant down
to the ground
just to raise it up
let it rise
bake the pies
see with eyes
how silly words
can play just as well
and a scheme isn’t needed
as necessary as you well
know it
blow it
up
up
up
and let it fly
away.
~~~
let
Imperfection
sit.
i don’t know why
it never occurred to me
to use my “weaknesses” as strengths
in acting.
i always pondered using my
quick-to-cry
sensations
as a way to
trick
my body
into crying on cue
but that never worked
and i think the key word there
is
“trick.”
i consider my passions
my caring too much
my crying when i’m frustrated
as the “bad” parts of my personality
mostly because they do get in the way
of living a normal life
but i don’t live a normal life
i’m an actor
and rather
than trick my subconscious
into using the base reactions
of my weaknesses as strengths
what if i actually and fully used my whole “weaknesses”
as my strengths?
i’m passionate,
so passionate,
i sometimes can’t decide
on which side
i align
(i solidly stand on the side of progress and compassion,
but with so much wrong with the world,
it’s difficult to concentrate
on just one issue,)
so i so often feel
overwhelmed
and lost
and without an outlet to create actual change
and i often force myself to try to decide
on just one
but
i’ve always considered my social justice life
and my acting life,
while influenced by social justice,
separate
(unless i’m performing in a thing
that is aiming towards creating
social changing)
but, just like i need to stop expecting
neurotypicality
from me
i also need to acknowledge that
as a queer, nonbinary, trans person
my existence holds in it
social change,
and my performing
any script
holds the passion
for some of the social change
of which i seek
and i know what my body/brain/mouth/soul feels
when i discuss a topic
about which i care deeply
and i can take that
and bring it
to other topics,
and i can cater my auditions
to those where passion is forefront
not to change my weaknesses into strengths
but to acknowledge
that all the things i thought were weak
are in fact
so
damn
strong.