September 19, 2026

our bodies are so strong
even as we chafe and bruise
and ache and stiffen
we are still able to continue on
step by buffalo step

i know there is some sort of scientific reason
we can go and go and go —
if it’s adrenaline and/or cortisol
some bodily/muscular word that explains
how we’ve been built, over generations,
to be marathon animals
rather than sprinters

but i think there is also a spiritual reason
that artists can continue and continue and continue
as we sweat out buckets and get exhausted
and our buffalo seems to get heavier and heavier —
it’s the connection between us within the puppet
the connection between all of us in the herd
the connection between our animals and the humans surrounding
all of us hoping for the coming of a kinder, gentler, more buffalo future

these masses of wood and paper and burlap and erosion cloth
become alive the moment we connect
and we see and respect that life, that spirit
and walk with them

we are walking with them

will you walk with us?

September 17, 2026

i wish i could bottle certain feelings
and uncork and inhale them when needed

last night i had a moment of utter bliss
looking around, watching adults and artists
puppeteering giant buffalo around a warehouse in brooklyn
everyone concentrating
everyone knowing
it’s an illusion but also a very real spirit
that makes this whole herd work

it’s art and community and hope and strength
and imagination and wisdom and belief
and i damn near cried because i couldn’t believe
this is real life
this is better than i could have imagined
my time on earth
would be spent

helping native persons
helping the earth

with art and performance and everything i have ever wanted to do

i suppose i’m inhaling that bottled sense again this morning
writing about it
trying to express with words what words cannot express
but can, perhaps, capture a sample
or imitate for future use

for when i feel lost

for when i feel depressed

for when i have no hope

i can remember one hundred and sixty? seventy? eighty? people
some inside a puppet
some outside observers
learners
like me
all with one goal in mind: create conversation
for the betterment of everyone on this planet
every person, human and non-human,
and doing it with
art

art that took teams and teams to imagine and map out
and build and construct
and put final touches on
and doctor and make better
and teams to map out routes and talk with other groups
and performers and city officials and advertise so more people
will see and continue a conversation we are creating
we, this team, all voluntary, all wanting to bring to life
this art, this stampede, this dream,
this imagining

this honoring

i hope those who see from the outside tomorrow and saturday
see what i saw yesterday
feel what i felt yesterday

that it’s amazing to be
here
now

with people
with buffalo
with hope
with art
with life

let us let the earth continue to provide this magic

let us help the earth

let us help the magic

August 10, 2025

i think
i see
[or am starting to
anyway]
why
the cyclone
has so much
lore
and art
and presence
and prestige
about it

i may need to ride it
a couple more times
to truly understand
[though that may be
my thrill-seeker side
craving the hairpin turns
and g-forces
pressing on my thumping heart
truly feeling
alive]

[we’ll see
we’ll see]

December 10, 2023

i went to a theatrical production last night
a collection of shorts/
staged-reading
written by a friend.
it was incredibly compelling —
so much talent,
such a beautiful person and writer

but

what i will probably end up remembering from that night
is waiting for the show to start, and having no one to talk to
so instead my kip (through text) suggested i write them a letter
and so i did — remembering old letters we’ve written to each other,
times in our lives before we made one singular life together,
and through writing my feelings out, realized just how much i rely on them
[they are, after all, my emotional support kip]
and love them
so
so
so
much.

[i don’t think we had lost any fondness for each other,
but absence sure does make the heart grow fonder —
even if that absence is simply a six-hour excursion to brooklyn]

July 2, 2022

i have a recurring dream
(in that it has happened twice)
where i’m trying to get to a
circus training place in
Bushwick
but the daytime trains are all delayed
so i have to take a lesser known line
but instead of being like a regular
subway
system
or even an
elevated train
it is pretty much a
mine cart
tromping
open aired
through secret forested areas of Brooklyn
on smaller rail lines
held up on top of stones and rocks
reminiscent of the tracks
i grew up
walking along
at all hours
day
and
night.

December 14, 2021

Kip asked me yesterday if i ever missed
Brooklyn

and i said i missed some things,
some people,

i miss Carlos and Jacob and the other babies who would
squeal
with fright/delight as they pet the giant teddy bear
that is Louka.

i miss the unofficial mayor of Flatbush (Joy),
and Mike
and about
half
the people in our building
(not that we dislike the other half,
we just never really met them).

i miss all the vegetarian food places;
El Barrio Burritos,
Zen Vegetarian Chinese food,
and the veggie option at Silver Rice,
and that food-truck that stood at the street-corner near the Q
waiting for me to try one of the falafels
(but i never did…)

i miss the woman selling wares and jewelry and incense from her van
every day
(though we still have plenty of Egyptian Musk to get us through)

and i do miss the vibrancy of
Prospect Park
right next door.

but

here

we have new neighbors to get to know,
new food places to explore
(though i am still in search of good plant-based options),
new parks to meander around,
a backyard,
a road Louka isn’t afraid to walk near,
and the best bagels we’ve had in New York
so…i’m pretty sure we’re winning.

(plus, our old home is simply a train ride
or two
away!)

August 31, 2021

summers
have always been
Magical
for me

as a child
wandering around lands i probably shouldn’t have been wandering around
sneaking past “no trespassing” signs
set against hunters’ blinds
(but no one was ever there when i was there;
November is the time for guns,
June, July, August the time for fairies in human form),
skirting around soy bean farms
before ‘soy’ was even a word in my vocabulary
(‘fuzzy beans,’ i used to call them),
crossing tiny creeks
jumping or wading
watching waterbugs skitter past
breathing in the hot air
staying mostly under trees
to avoid the [inevitable] tomato red sunburn
sometimes with friends
but most of the time with myself
speaking stories out loud
creating both sides of dialogue on the tip of my own one tongue
the endless tales of magic
and friendship
and exploration
my companions
for whole summers.

as an adult, most summers have come and gone
but there have been
two
that have held even more magic:

at twenty-two
i was dumped
one month shy of a five-year anniversary
and my personality had become contingent
on hers
and the April breakup,
the steady flow of May tears
somehow passed into a
June/July/August
of friendship and finding myself
truly feeling my emotions for the first time since i was
seventeen
(perhaps even farther back, because of, you know, the trauma;
perhaps feeling emotions fully for the first time since i was
eleven),
and i felt the good and the
bad
the joy and the
sorrow
the bitterness and the
love.
and i found that friendship didn’t need to stay braced on the one side of
platonic
and i found that i could be myself, silly, joyful, tearful, and loud
and sociable
in a way i’d never felt before
(always having been on the outside,
the observer,
the child alone in the field talking to themselves making up worlds and adventures…)
there was a magic in that summer
i don’t think i could accurately name,
a friendship, a late adolescence, a very slight hedonism, but a care for self and others,
that was my first adult magic summer
(The Summer Of No Egrets)

at twenty-seven
(plus 3)
my spouse and i moved to the city that never sleeps,
and after celebrating my twenty-seventh birthday for the fifth time
we looked forward to getting settled over the winter
and truly getting to know the city in the spring.
and then a global pandemic happened.
time stood damn near still
most people home, waiting
two weeks turned into four, which turned into another month, then another
until we were ‘working from home’ ‘indefinitely.’
and as an actor
one who works gig by gig,
long, spacious times between each production
(zoom replacing stages,
closets full of sweaters replacing in-person sound booths),
i had plenty of time to watch the tides from our living room,
cheer at 7 for those putting their lives on the line to keep the city as healthy as possible,
and one day, after an endless string of Black men (and women, and children, and trans women and trans men and nonbinary folks…) being
killed
murdered
by the hands of those who white america thinks are here for
“protection,”
the nation broke,
the city
erupted.
i was aware as far as national news,
but a contingent marched past our building
and i felt foolish for not having been among them,
so i did my research,
and joined in marches,
across downtown Brooklyn,
where healthcare workers stood outside their workplaces
and cheered for us, on the front lines, trying to make the city
safer
than originally thought possible,
blocking traffic in Manhattan,
listening to folks of color
tell me tales,
speak words that
i knew logically,
but hadn’t thought of
emotionally.
and a full scale revolution erupted.
i watched as those in power were given
full riot gear
as we peacefully chanted to the sky
“i don’t see no riots here.”
taking knees,
holding space,
coming in white
staying in silence,
listening
and listening
and listening
and watching
and observing
and protecting
and seeing how a world could be better
the magic of that summer,
of a whole damn city coming together
to say that Black Lives do matter
and they matter
to us
every day
for an entire summer…
and while i wasn’t able to be out there every day,
i still felt the magic
that there was more than just me,
i was one amongst many;
the full power wasn’t in my face,
but mine as one in a sea of faces
so many you could no longer pick out just one
and everyone was invigorated
and everyone was excited
and everyone was yelling/chanting/singing in their hearts
and i was able to see
what community looks like.
the magic
of what community looks like.

i don’t have a good ending
for this poem.
but i think,
upon some months of reflection
after the initial fingertips to keyboard keys
musings of these magics
one idea stands out a little farther than the others:
it’s the people.

the magic of my childhood summers was based
[primarily]
in isolation,
the feeling of needing a break
from the ever loud and sociable days of school
forced by law to be there
day after day after day after day after day,
and that break was necessary.

but the magic of my adulthood summers
is based absolutely entirely
in community
in coming together
in observing and living
the ideal of what togetherness means

(and maybe my childhood summers weren’t about isolation at all,
but instead creating the community i needed,
that i hand’t found yet
in my mind…)

but please, as we get back to a reality
that is about to endure the difficult (for me) transition
From August to September,
from summer to fall,
remember that people are important
and the magic is in
togetherness,
and find your community in
whatever way and place suits you best,
and donate some money or time
to a Black-led organization
today.

August 18, 2021

it is approximately
one month shy
of the one and a half year mark
of Kip
going into work
physically.

and i’m getting all nervous
about them going into work
physically today,
though their work is vaccine only,
and mask encouraged,
and Kip told me they’d probably keep their mask on all day long,
but i’m still all nervous

maybe it’s because i’ve been the one to actually go outside
in this Global Patrick Stewart;
i’ve gone grocery shopping
and picked up prescriptions
and had doctors’ appointments
and circus classes
and marches
and protests
and Kip has accompanied me on a couple adventures,
a protest here,
a vacation there
(a vacation where
we still only stayed inside our airbnb the whole time)
so i’ve been out on my own
and Kip has not
and they are a grown adult
and used to make this trip
into physical work
every
work
day
arriving between 8 and 9
leaving between 5 and 9 (depending on after-work activities)
and they learned the streets of manhattan
around their work
and maybe i’m just nervous
that they will once again
have a life apart from our tiny Brooklyn living box
but i also want them to have their own experiences
so we can come together at the end of the day
and share our stories
together.

i have no need for them to only have a life as i can see it,
similarly, i enjoy their encouragement of my
circus classes
and acting classes
and film projects
and artistic endeavors,
but i’m still all nervous…

(i wonder if this is how they’ve felt every time i went in
physically
to an aerial space
over this last year or so…)

~~~

i know
it’s possible
to hold in one’s heart
the gratitude
that one has personally
dodged a bullet
as well as the support
and solidarity
of those who experienced it entirely

but i can’t seem to convince my physical form
that this is, indeed, a thing that can happen.

~~~

my creativity
is still part of me
even when i’m not actively
making up worlds
and writing new words
and surpassing my own expectations.

my creativity
never leaves
just sometimes
it might need
a bit of a
nap.

July 27, 2021

if you are
barely over
five feet tall
and your short-legged stride
outpaces
all the New Yorkers around you
you may have a problem

however

if you are
barely over
five feet tall
and gay
and your short-legged stride
outpaces
all the New Yorkers around you
that’s just fine.