audiences are integral to a performance

February 21, 2024

/ HJ / Leave a comment

is it true?
that hearts synchronize in beat beat beating rhythms
when sitting in an audience
of a performance

i agree —
i want so badly to believe —
and it probably comes from some sort of truth
[there’s that study of church vs live musical performance
and how they give the same
spiritually
significant
feeling]
and i know my heart’s emotions
synchronized with those around me:
gripping our chests
because we couldn’t reach deep
and hold our own hearts,
murmurs of agreement
of sorrow
of unthinkable pain and loss and struggles to keep humanity,
and humming catchy tunes as they remained stuck after the applause had ended,
and feeling as though the whole space —
performers
audience members
volunteers
everyone —
had hugged me and held me
as i
as we
listened to damn near unbearable story after unbearable story after unbearable story…
but we bore it,
and we were witnesses to it,
all
for the synchronization
of our
beating
hearts

July 31, 2022

/ HJ / Leave a comment

audiences
are integral
to a performance

i wish it wasn’t so,
but it sure is.

so, if the audience’s energy
is lively,
is loving the show,
is literally having the time of their life–
the performer(s) will, too.
one hundred percent.

i usually tell new performers
(especially in circus)
to enjoy themselves on their apparatus–
the audience will respond to that enjoyment
and enjoy themselves,
and that energy from the audience
will encourage the performer,
who will send their energy back to the audience,
for a kind of reciprocal feedback loop
of joy.

but i often neglect
(on purpose)
the very real instances
of audiences being super low energy:
not responding to any energy from the performer(s);
or being weird:
responding in unexpected ways
that throws the performer’s energy off–
because you have to be a well-seasoned performer
to pick that kind of energy out
consciously
(but even novices will be able to tell
that something
is simply
‘off’)