July 12, 2021

i don’t know why
it never occurred to me
to use my “weaknesses” as strengths
in acting.

i always pondered using my
quick-to-cry
sensations
as a way to
trick
my body
into crying on cue

but that never worked

and i think the key word there
is
“trick.”

i consider my passions
my caring too much
my crying when i’m frustrated
as the “bad” parts of my personality
mostly because they do get in the way
of living a normal life

but i don’t live a normal life

i’m an actor
and rather
than trick my subconscious
into using the base reactions
of my weaknesses as strengths
what if i actually and fully used my whole “weaknesses”
as my strengths?

i’m passionate,
so passionate,
i sometimes can’t decide
on which side
i align
(i solidly stand on the side of progress and compassion,
but with so much wrong with the world,
it’s difficult to concentrate
on just one issue,)
so i so often feel
overwhelmed
and lost
and without an outlet to create actual change
and i often force myself to try to decide
on just one
but
i’ve always considered my social justice life
and my acting life,
while influenced by social justice,
separate
(unless i’m performing in a thing
that is aiming towards creating
social changing)
but, just like i need to stop expecting
neurotypicality
from me
i also need to acknowledge that
as a queer, nonbinary, trans person
my existence holds in it
social change,
and my performing
any script
holds the passion
for some of the social change
of which i seek

and i know what my body/brain/mouth/soul feels
when i discuss a topic
about which i care deeply
and i can take that
and bring it
to other topics,
and i can cater my auditions
to those where passion is forefront
not to change my weaknesses into strengths
but to acknowledge
that all the things i thought were weak
are in fact
so
damn
strong.

July 11, 2021

after a whole week
of living in
the slam poem i created,
orated,
and sent,
it feels strange to come back to this
daily task
and the ask
of simply writing how my thoughts attack

(and, as you can see,
my verse is still solidly in slam,
but how long that’ll stay,
is a question i am
unable to answer
at this time.)

but continue the flow,
maybe i’ll discover a way to recover
the thoughts i’d lost in the far reaches, corners, attics and basements
of my meandering mind
and find
the mode
to just
Go.

July 10, 2021

concentrate first on what you’re writing
don’t think about how to perform it
nor what people are going to think of it
nor what people will say to you

sunday will arrive far sooner than you expect,
why make it arrive earlier
by anticipating everything that will happen?
(maybe that’s just how my brain works?)
(but it seems very, very unhelpful)

~~~

i don’t know why
french café music
calms me so
but it sure does
so here it plays
morning after morning
picking up a few more words every dawn
surprising myself by how much i understand
hoping one day to catch it all.

~~~

am i ever going to attack
full, epic, long-form, big damn poetry
again?

(i suppose i just did,
what with the monologue assignment
i just wrote slam poetry for,
and i suppose i shouldn’t
count out
the big poems
sitting in this giant document
just waiting for revisions
and posting)

but it confuses me,
this ebb and flow of poetry
of how some days words slip and flow
and some days i must pull and pull and pull
and what that all means for myself
and me
and my creativity…

July 9, 2021

storm
flooding
climate change
(she doesn’t need to change for anyone)
(but maybe this is her indication that she’s breaking up with us,
humanity,
and this is her signaling that she’s done with our abusive relationship)
(in which case; hey, you do you.)

July 8, 2021

what is with
these weeks of summer
streaming by in the goddamn blink of an eye?

(and how many more will i have have have to endure
until i finally find it in me to accept
the inevitability of time?)

July 7, 2021

shorter time
to write my
morning poetry
today,

and the rest
of the day
is filled with
zoom zoom zoom
(but in-person,
not via Zoom)

pondering
jobs
and
houses
and
subways
and
STEM

and i still have to
write
the writing
that i’m both
apprehensive
of
and
excited
about.

(so, i guess, let’s do this)

July 6, 2021

everything
is flowing
outward
lately

externally expressing
but internally fluctuating
between
i need to get this out
and
no one should ever see this side of me
and yet still
nothing i do is ever good enough for me
(so how could it be good enough for others?)

the problem
with this problem
is i am not in others’ heads.
i can judge my own work based on my own standards,
but judging it based on others’ standards
is basically just guessing at their
likes
and dislikes
and backgrounds
and assessments
and training
and i can’t get an accurate read.
and as much as i’m afraid of other people
i do wish i could be in their heads
at least once
to see what they really think of me
(so my brain can stop obsessing)
(and [maybe] let it all go)

July 5, 2021

i’ve gotten so used to this computer,
this keyboard,
adding extra letters
where they’re not needed,
absorbing strange autocorrects
into my soul
(i will never, now, write “feels like” without part of me thinking to myself “eellike”)
(and i know to watch for extra “o”s in every “to” “on” and “now”;
always expecting the unexpected “tooo” “Ono” and “noon”)
what would happen
if i received
a new
typing
machine?

July 4, 2021

perhaps it’s just the folks i know up there,
but nearly everyone i know in Canada
has passed on their normal July 1 celebrations
to contemplate the bodies of indigenous children
that continue to be unearthed.

and i feel guilty that i’m not surprised.
and i feel ashamed that my country probably has ten times as much blood on its soul
(at least)
and i feel embarrassed that there is no national day of reckoning here,
no setting aside celebrations
for the purpose of confronting our relationship with the
problematic,
hardly taught,
secret history of our nation.

last year i confronted July 4th,
i marched and chanted and sat and listened
in a crowd gathered;
white folks there to learn,
Black and Brown folks there to share and celebrate.
i stared squarely into the face of what it means to be
born
on stolen ground.
i looked down at my feet,
where i expected to see myself standing on only my own accomplishments,
and finally saw the backs of Black folks i’d unintentionally climbed over,
that my ancestors had climbed over,
had climbed onto
had used (knowing or not) as a step up for themselves.

and i saw the blood on all our hands.

i watched native dances from the tribes of lands we live on now,
and i heard words from folks who chose this country over their homeland,
in spite of what it meant for their skin,
but because of what it meant for their queerness,
(though that story is also so very complicated)
and last year the only fireworks were from everyday people in the neighborhood
just letting off a little steam,
no city or state or nation led celebration,
instead individually making the ‘holiday’ what everyone wanted.
what everyone needed.

what do i do this year?

there should have been ten times as many people confronting July 4th last year,
there should be ten times more doing the internal work this year,
but i can only worry about myself and what i do.

so i’ll do my work.
i’ll continue to do my work.
though i know there’s no end in sight;
that’s what it means to be a citizen here.

July 3, 2021

connect
with
your words
yourself
your past
your present
(maybe even your future)
all you have to do is
connect
with
your words.

~~~

every evening i go to bed
expecting to wake up
and be hit
struck
stampeded
by inspiration,
and every morning i wake up
and i’m still
simply
tired.

~~~

(is it time yet?
time to contemplate what makes folks ‘like’ the poetry i post?
is it time to admit that, maybe i’m not writing for an audience,
but i’ve probably started posting for one.)